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I have been busy re-potting in the last few weeks and finally managed to get around to doing a project tree that I have been growing for a couple of years. When I first acquired the tree I placed 6 or so root grafts onto the trunk. 3 took and 3 failed. Since then I have been meaning to replace the failed grafts but for what ever reason, every time I have had this tree out of its pot I havent been able to do the grafts.

The arbortech and the faulty nebari in the back ground. You can see the two verticle scars from last attempt.

The Arbortech and the faulty nebari in the back ground. You can see the two vertical scars from last attempt.

The first failures were all down to the fact that the channels that accepted the new shoots were too shallow. As the approach grafted seedlings thickened, they simple pushed away from the trunk instead of fusing. I originally cut the channels with a knife and was only able to cut so deep.

This years remedy was the Arbortech! I do very little machine carving but this tool does get a bit of work this time of year as it is excellent for cutting graft channels.

The four new grafts.

The four new grafts.

The process is dead simple. It is much the same as any other approach graft except instead of using a branch from the same tree you use seedlings as your grafting material.

The basic idea is that you cut a vertical channel in the trunk where you would like some new roots. You then insert a seedling into the channel and adjust it until the seedling’s roots are at the same level as the existing nebari. Then you fix the seedling into the channel (I used big map pins), seal it all up with cut paste and let it grow. Soon enough the seedling will thicken and fuse with the trunk. Cut off the top of the newly grafted seedling and you have new roots where there were previously none. For a better breakdown of the general theory see these two posts. Post 1, Post 2.

This year, the seedlings look a little strange as they are all from the batch of seedlings I bent the year before. Having said that, the bendy little trunks were very useful as I was able to use the first bend to create a good angle for the new roots to leave the trunk from.

The bendy seedlings are care of a project i started last year.

The bendy seedlings are care of a project I started last year.

The new grafts were generously coated in cut paste and then the whole lot was potted back into its training pot.

I imagine that by the end of this rapidly approaching summer the grafts should have taken and I will be able to shorten them back before then some time the following year cutting them flush with the trunk.

Hopefully I remember to take a few pictures along the way.

This year, Bonsai Northwest decided upon holding a winter exhibition. This is a bit of a rarity due to most Victorian shows being held in the spring or autumn. It was great to see many familiar trees out of leaf with the structure bear for all to see. I enjoy seeing trees that i have got to know over the years improve each time i see them come out for a show and this year was no exception.

Unfortunately the moody lighting didn’t translate very well into the photos I took with my cheap camera so I was only able to get a handful of non-blury shots which are below.

Enjoy.

I often hear people saying they wish they had access to good stock and or that they cant find any stock worth purchasing. Often the journey to find good stock can be difficult but there is definitely good stock available if you know where to look.

A couple of weekends ago I visited a friend on the outskirts of Melbourne to see how his ground grown stock had progressed this year.

A trident slipped from the grow bed.

A trident slipped from the grow bed.

As you can see from the above picture, the stock was going very well indeed. There is no real secret about how to produce these results as they are a simple a matter of spending 10 years applying good technique and working the root bases each and every year.

Another great base.

Another great base.

Each year the trees have been dug up and cut back hard to encourage a fine, flat root system. Digging each year coupled with the excellent growing conditions in the grow beds results in good yearly top growth without roots getting too thick and creating faults. This makes for trunks with great base flare and very small scars which in many cases are healed in the ground.

A Japanese maple from the same beds.

A Japanese maple from the same beds.

When out of the ground, the most important cuts to the roots are in removing those that are downward growing and scarring the base of the trunk to further thicken the base; and with this stock, this has been done with great results. In fact, I was so impressed with the quality of the material I put my name on a couple that might come out of the ground in the next couple of years.

The roots on the underside of the trunk being removed.

The roots on the underside of the trunk being removed.

For those not willing to spend 5 years working out the techniques and then a further 10 growing trunks luckily this grower also sells some of his stock.

His trident maples are available through Chojo Feature trees in Mount Evelyn.  Jeff who runs the place is an extremely nice guy and I am sure could help out those interested in a trunk and or other bonsai related products.

I have been trying to keep my collection from growing any larger with mixed success over the last few months. What makes it especially hard is when you help friends dig stock out of their growing rows at their nursery.

This years visit to Shibui Bonsai was much like last years in that a lot of nice stock was dug (which I am sure a lot will be featured in the coming seasons catalogue). Although a lot caught my eye, I was well-behaved and none of the ground grown stock came home. That is not to say I didn’t bring anything back to the benches…….

For a while now I have been meaning to grow some small twisted mini’s to use as accents in 3 point displays. On the benches at Shibui, Neil had a range of interesting little chinese elm root cuttings that I thought would be perfect for the project so I brought one home.

The cutting out of its original pot

The cutting out of its original pot

Today I wired the cutting to enhance some existing curves and then re-potted into a much smaller container in which I plan to start to grow a small crown from.

Often working out how to secure a small tree into a small pot which only has one drainage hole can be difficult but I have found the method shown below works well.

tie-in wire seccured to a larger wire.

tie-in wire secured to a larger wire.

Mesh installed and tie in wires ready to accept the tree.

Mesh installed and tie in wires ready to accept the tree.

The pot itself is by no means a museum piece but it is a well made Marufuji production pot. Being a little on the large side will serve it well to help the tree establish some new ramification. Once I am happy with how the ramification is progressing I will look for a more suitable pot anywhere up to half the size of the current container.

The roots were reduced accordingly.

The roots were reduced accordingly.

For such a small cutting the tree had grown a number of large roots all of which I removed and or shortened to fit into its new home.

Potted up but before i trimmed the tie in wires.

Potted up but before I trimmed the tie in wires.

After half an hours work the tree had found its new planting angle and its new pot. It is by no means a masterpiece but I think once I can develop some ramification it could make an interesting companion to a larger tree.

I think this little tree will make a nice addition to the collection in the coming years and being so small it shouldnt effect the space I have too much. In fact I probably have a whole lot of room for trees of this size.

As the season rolls on I am slowly getting to the end of my needle work which in turn will mark the time to begin preparing the deciduous trees for winter.

The tree below is another that has been slowly developing over the years and with another wiring and another years candle pruning I think it will be close to exhibit-able.

The tree has appeared on the blog before HERE where you can see the progress it has made and the ramification it has gained. It also makes obvious just how much it needs a re-wire.

Before the work

Before the work

After a the needle plucking.

After a the needle plucking.

Yet another of my trees that desperately needs a re-wire, it will have to get into line behind all the others that I plan on doing this winter.

This weekend gone by I got some time to do some needle work on a few more trees. One of which has featured on this blog before. It’s a bit of a strange tree and people either like it, or want to cut off the first branch. I like the first branch and as a result i haven’t cut it off just yet and actually now the tree is filling in a little bit more I am beginning to like it more than I did at first.

Looking a little shaggy

Looking a little shaggy

Probably the part of blogging I am enjoying the most is how it has forced me to catalogue my trees as they progress.  If you look at this tree 2 years ago HERE you can see that the tree has really improved over that short time. Looking at it day to day on the benches it is easy to lose perspective and feel like the tree is not progressing. It is only when you see a picture from a year or two ago that you realise just how much it has changed.

Needles removed revealing nice, new, short growth.

Needles removed revealing nice, new, short growth.

I am very happy with the progress I have achieved with it over the last couple of years and hopefully if I can keep this momentum up for a few more the tree will be well on the way to being exhibit-able.

I doubt if this tree is ever going to be everyone’s cup of tea but I think that it is now on a path where it will grow into a convincing image.

 

Its been a good year for growth in my garden which is always a bit of a double edged sword. A good seasons growth means that all your trees will have progressed and built further to their structure, ramification etc. but with lots of growth comes lots of maintenance.

With my pines this work takes longer and longer times. As the trees ramify the number of shoots double each year in turn doubling the time it takes to maintain them. As trees become more dense fingers can no longer reach areas of the branching so tweezers are employed which again can slow things down a little.

Here in Australia we are beginning to slip into autumn and it is time to shoot prune the second flush of growth and do needle work on the pine’s remaining growth.

The first tree off the bench was THIS little black pine.

Before the work.

Before the work.

Finally it is beginning to look like it belongs in a bonsai pot. you can see in the before picture how nicely the needle length has come down compared to the long needles attached to candles that were not pruned in spring due to them being weak. These weak candles now have strong buds at their tips getting ready for next springs flush.

After removing old needles.

After removing old needles.

After a few hours work things begin to look a whole lot neater. The new length of the needles is much more suited to the trees size and over all the tree is beginning to look more in proportion.  Next step is a re-wire which I hope to complete some time this winter and then a re-pot into something a bit nicer.

I have a ‘thing’ for clump styles. A few years ago I had the opportunity to purchase a flowering quince and upon seeing its clump form I bought it. Since purchasing it I have styled it a couple of times and experimented with a few different methods of growing it. It flowers profusely and easily but it seems to really resist ramifying, instead always wanting to grow only one bud per branch. This is a problem if you dream of densely ramified clumps.

I started out trying to use defoliation to force some back budding. This worked to a point but the tree quickly weakened and stopped pushing growth and although some back-budding occurred it still was very tip dominant.

I then used hard cutting back to try to stimulate some of the inner buds which worked toa point but again the terminal buds were mainly the only buds to burst.

After the clumps first styling

After the clumps first styling

The first budding after styling

The first budding after styling

The beginning of a heavy flowering. (now when i am trying to build branches i cut off flower buds)

The beginning of a heavy flowering the following year. (now when I am trying to build branches I cut off flower buds)

After a hard cutback.

After a hard cutback.

This year I tried what I am calling partial defoliation. It seems to be working much better. The logic as I see it is that by removing most of the photosynthetic surface area but leaving some leaves to continue providing energy you force a budding but keep the tree much stronger than a full defoliation.

The central trunks became infested with borers so i removed them. This is the quince in full summer leaf.

The central trunks became infested with borers so i removed them. This is the quince in full summer leaf.

After the partial defoliation

After the partial defoliation

The basic technique is to remove leaves at each clump of growth down to one leaf. This lets a whole lot of light into the inner buds and keeps sap flowing to the remaining leaves. The results are buds bursting nicely back into the inner canopy.

A clump of leaves

A clump of leaves

Leaves reduced

Leaves reduced

Some of the resulting budding

Some of the resulting budding

Some of the resulting budding

Some of the resulting budding

Now this tree is a fair way off being exhibited but hopefully with a few more seasons using this technique I will be able to dramatically increase the amount of ramification in this tree and get it into a much more presentable state.

Sometimes things elsewhere look better than what you might have at your own disposal. This can do two things. One is you can become inspired and in turn try to improve your situation, or you can feel defeated and do nothing and long for what is over the proverbial fence.

In terms of Australian bonsai we sometimes look over our fence (or ocean) and long for the material of Japan or the yamadori of America or Europe. Sometimes this inspires but a lot of the time due to Australia’s strict quarantine laws (making importing near impossible) and the fact that most native collectible material is protected by law it instills a feeling of giving up or accepting second best. Myself, after returning from a trip from Japan, have looked over my collection and felt as if I was so far behind that I might as well sell up and take up stamp collecting when comparing my trees to Japan’s masterpieces and fantastic stock.

I have done my share of moaning and complaining about what is available (or perhaps more importantly not available) but complaining doesn’t solve the problem.

Australia doesn’t have juniper and pines as our native flora and those species we do have that do make good bonsai are often protected from collecting by law. This combined with an import ban on most bonsai species puts the us on the back foot when it comes to yamadori. The best chances we have at material even vaguely similar is digging from gardens.

So where does this leave us? We need to start growing more of our own. Taiwan produces ground grown or farmed junipers that for all intents and purposes look the same as their yamadori counterparts. Japan produces tons of quality raw material in a massive range of species that ensures that there is always a healthy base of material being produced for future excellent bonsai.

Growing material is not difficult, it just takes a little time. Most of this time is best invested early on in a plant’s life when it is young and flexible. 5 minutes to do some root pruning and another 5 minutes to wire the trunk for shape and you have the foundations for something interesting that has the potential to turn into an excellent bonsai.

A tiny shimpaku

A tiny shimpaku

The above Juniper came from a grower in Shizuoka. While I was studying at the nursery we went on many stock buying trips and this tree was from one such trip. The grower was not a professional nursery man but rather a home grower. The rooftop over his small garden shed had been turned into a small stock production area. He grew stock and traded it with the nursery for pots and other trees, supplies etc. What surprised me was that this was a guy living minutes away from a nursery that sold stock and trees I could only dream of here in Australia, yet with all this stock at his disposal he still was growing his own, excellent material.

If every grower in Australia, grew 5-10 good stock plants a year we would have so much good stock we wouldn’t know what to do with it all.

This year I have finally decided to stop complaining about the lack of stock and making excuses about my lack of space and have planted 60 Trident maples and 60 Japanese Black Pines as a test batch. For some reason I had been making excuses over the last few years as to why I couldn’t get this process started. My backyard was too small, I didn’t have the time and I wanted to keep my collection at a small size etc.

This year I decided that I could make room in my backyard, the time I needed was not all that much and that I could sell a good percentage of the stock once matured to keep the collections size down and to add some money to the bonsai bank.

I decided that because space in my garden was at a premium, I would grow small bonsai stock. I don’t have a ground growing area so I also had to be able to grow in pots. Growing small-sized bonsai made this an easy proposition.

What I was hoping to achieve was similar to stock i had seen produced in Japan.

A Pine wired into an interesting shape.

A Pine wired into an interesting shape. I am pretty sure that I can produce stock similar to the above pine from seed in 2-4 years.

A juniper grown from cutting could save a year or two compared from starting from seed.

A juniper grown from cutting could save a year or two compared from starting from seed. Junipers might be a little slower than some species but they do make very impressive small bonsai and are worthwhile to grow.

A small kumquat.

A small kumquat. You don’t immediately think of deciduous or leaf species when you imagine twisted bonsai but they also make convincing and interesting choices for this type of bonsai.

Using the above trees as my base inspiration, I decided for my test batch I would grow a mix of half deciduous and half conifer so I had some variation in the final bonsai. As I didn’t have any juniper cuttings, I struck some Japanese Black pine and Trident maple seed and potted them up individually.

Trident Maple seedlings as germinated.

Trident Maple seedlings as germinated.

Japanese Black Pine seedlings as germinated.

Japanese Black Pine seedlings as germinated.

The removal of tap roots (encouraging lateral roots).

The removal of tap roots (encouraging lateral roots).

Potted up seedling

Potted up seedling

A tray of 30 seedlings. These seedlings need to re-establish and put on some growth before wiring.

A tray of 30 seedlings. These seedlings need to re-establish and put on some growth before wiring.

Pretty simple so far. The time spent on each plant to this point ran to the 5 minute mark (a generous estimation). Not a lot of time considering how much time will be invested in the future with watering, pruning and re-potting etc.

After the seedlings have established and put on some growth I got some movement into them.

This should take another couple of minutes per tree. The process is pretty standard really, insert the wire into the soil at about a 45 degree angle until it hits the side/ bottom of the pot. Then wire the trunk making sure that the wire is applied in even coils. Then you simply bend the trunk.

Wiring the seedlings.

Wiring the seedlings.

The bends you put in the trunk should be tight and irregular. As the tree thickens the bends will soften in appearance so over exaggerate the bends at this stage. I try not to think about the final form of the tree at this stage rather I like to combine interesting kinks and twists and make each seedling different to the next. This means that come styling time I will have a range of shapes and styles to play with. I have also found that if you try to create styles at this stage you limit yourself somewhat. The more random you can make the trunks the more natural they seem. The times I have thought about their final form I ended up with many similar trees.

They should now be fed and left to thicken for a year or two. Once the wire cuts in I will un-wire and depending on how the bends have set, I may re-wire again.

Once i have them at pencil to finger thick I will start thinking about creating branching and small canopys. This should ensure that in a few years time I will have a lot of interesting stock to play with.

Hopefully this post inspires a few people to have a go themselves. You don’t need a lot of space, ground or time and the rewards in a few years from such a small investment should be well worth your efforts.

On the 2nd of February 2013, the National Bonsai and Penjing Collection of Australia (NBPCA) opened at the newly custom-built premises within the National Arboretum, Canberra. I was lucky enough to attend the opening but unlucky in that my camera battery failed shortly after arriving.

The NBPCA at its new location really is not just a step forward for Bonsai in Australia but a giant leap. The promotion of Australian bonsai Artists, their work and Australian native bonsai species at such a public location can only help build bonsai momentum around the country. The collection itself consist of around 85 trees on display in a custom-built facility. Over the course of the day the display was packed with visitors which is hopefully a sign of things to come.

Now I could talk about all the merits of the collection and its new building but I guess I will save that for a future post and let the photos do the talking for now. I am only posting a few pics as I recommend that everyone gets down to Canberra and has a look for themselves. It is well worth the visit.

Some of the pics I was able to take prior to the battery going flat are below.

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