While in Japan I worked on a number of trees which might make it to future posts.

One such tree was a bunjin style white pine that had been bought by the nursery as part of a larger collection. It had been styled by the previous owner but with far too thin wire so it was up to me to re-wire and find a new style for the tree. Oyakata gave me free rein on the tree and so I set about working.

 

As the tree began, styled by its previous owner.

As the tree began, styled by its previous owner.

So I stripped the old wire, pruned some branches and wired what was left. I then started to place branches and reached a stage where i wanted to cut off some branches that would take the tree past a point of no-return. So I called Oyakata from the garden to make sure he was going to be happy with my decisions.

My styling of the tree.

My styling of the tree.

It turns out what I had done was not to his liking and he proceeded to remake the branches and form a more upright tree.

The tree after Oyakata re-re-styled it.

The tree after Oyakata re-re-styled it.

And so that is how the tree stayed. After all it was not my tree and I certainly did the right thing by asking when I did.

That being said, did I like the end product? No, not really but I wasnt really happy with my version either. I can see why Oyakata styled it the way he did.

It is a little more regular and perhaps in that form is more easily sold (which is the name of the nursery game) and being of fairly low quality comparatively with the rest of the nursery Oyakata was probably hoping to get it sold quickly to make room for something more interesting.

Having said all that what was interesting about the exercise was to see a piece of material transformed into three totally different stylings by three different pairs of hands over the course of the day. Each person who styled it, from the previous owner, to me, finally to Oyakata saw something different in the material and I think it is that difference in how each of us treats our trees that keeps this art interesting and keeps me turning up to demonstrations, shows and events.

Perhaps this material much like all others has no one perfect way to be styled but instead many different forms that play to different tastes.

Things have been pretty busy since I got back from Japan. A new job, a pregnant wife and Autumn’s bonsai work just beginning haven’t left a lot of time for the blog.

On top of this, I have also been doing a fair amount of work on customer’s bonsai and their collections. Some of this work is routine seasonal maintenance, some of it teaching and then some of it is re-styling.

Before any work

Before any work

One such re-styling I completed recently was the black pine pictured above.  For Australia, the black pine had some good age to it and was starting to develop nice bark textures, but it’s canopy had grown into a solid blob over the years. My job was to find the tree within the blob. I had to prune a large number of branches out and define a better branch structure to set the tree up for it’s future. As a result a fair amount was cut off the tree but now the bones have been formed to grow a better structure upon.

After pruning and wiring.

After pruning and wiring.

One of the main changes, apart from separating the foliage into layers was to enhance the movement of the tree. This involved shortening the right side and lowering the head to accentuate the left movement of the main branch which made a huge difference to the appearance of the tree.

I think a re-pot into something more suitable and a year or two of candle pruning should see this tree fill into a very nice tree.

Part two.

I’ve been a little slow on processing these images but better late than never. Below is the first half of the conifers from the Taikan-ten. The second half should be along shortly and then we will be back to regular programming. Until then… Enjoy.

As expected there were some truely spectacular deciduous trees on display.

I have developed a healthy obsession with the dwarf flowering quince ‘Chojubai’. While looking over my photos this became very evident as I had taken photos of many of them even if they were merely being used as accents. I am sure that if you look over the below images you can see why I enjoy them so much.

I am slowly making my way through processing all the pictures I took at the Taikan-ten last year and thought I would start things off on the blog with a couple of the shohin displays that were on offer at the exhibition. Over the coming weeks I will add more of the larger trees, accents and displays themselves as I process them.

Enjoy

Well it has been a big year for me. I have spent it studying japanese full-time, while teaching, demonstrating and working on bonsai and client’s trees. This has all come with its challenges but all in all has been a great experience. On top of this, a couple of weeks ago I returned from a trip to Japan for both language immersion and bonsai which was the best way I could imagine to see out the last months of the year.

With all these things going on though it has not left much time for me to update the blog. Hopefully in the new year I will have more time to dedicate to posts and of course my own trees.

While I was in Japan I was lucky enough to visit the Taikan-ten exhibition. This time around they allowed photography by the general public so I was able to take many photos of the trees on display and as I process the images I will upload them over a series of posts. The show itself was a bit of a mixed bag with both extremely high quality trees which were sometimes next to trees that looked like they needed further work and developement. Of course the entire show was well worth the visit and as was the sales area.

For the time being I have included a teaser of future posts. Enjoy the photos and happy new year!

At the moment I am studying japanese and I came across my first bonsai related exercise in my text-book and thought I’d share.

Not a bad informal upright by the looks of it.....

Not a bad informal upright by the looks of it…..

私はおじさんに怒られました。 – My uncle got angry at me.

I’m guessing it must have been a nice antique chinese pot to get smoke like that appearing!

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